Vinyasa demystified – Game, Set, Match
May 1st, 2008The root of Vinyasa according to Srivatsa Ramaswami in The Vinyasa Book is “Vi” variation and “Nyasa” means “in a prescribed way.” Literally then, it is variation within prescribed parameters.
It becomes confusing because we have a style of yoga which has emerged called vinyasa yoga or vinyasa flow yoga, and you’ll hear Ashtanga Yogis referring to “doing a vinyasa” (ie: lifting up, jumping back, doing upward and downward dog) between every seated pose.
Really, the essence of Vinyasa is to complete a cycle with a goal and intention.
This means that we have a clear idea of the beginning, middle and end of a cycle and where we want to be at the end of it. The whole yoga practice in this way can be seen as a vinyasa. Inside that larger vinyasa are a whole series of mini-vinyasas that each have there unique goal.
If Yogis were tennis players, they would eliminate the terms, game, set match with vinyasa, vinyasa, vinyasa. Game, Set and Match after all are all just a series of larger and larger cycles.
In another way, it is a lot like a musical album. The whole album is a vinyasa, then each independent song makes it’s own smaller vinyasa. Artists put a lot of thought into how they lay the songs out on an album; yoga teachers should too.
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Logical sequencing
, building up to a peak. Each pose complimenting the poses that are coming next. For example a series of hip flexor openers before backbends (front body stretches)
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Time to digest between
vinyasas the way a tapas restaurant gives you time to digest before the next dish comes out (serving food is another great vinyasa example). Note: think about how little time our society has to digest anything. It is a constant flood of one thing following another
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Breath.
The poses are the notes, the breath is the way we play the instrument of the body.
A skillful vinyasa teacher will recognize the needs of his or her students and apply what is best needed. The gunas are a good hint at understanding the sequencing. Understanding people’s injuries or skill level is key. We also have to asses their physical needs. For example, a group may hate a chaturanga vinyasa cycle and want to take the path of least resistance, but that may be precisely the reason why they need to be challenged in that way.



